This episode is the second of two on the first part of “Bendowa,” Zen master Dogen’s “Soto Zen in a Nutshell.” I discuss two more important subjects in Bendowa: The ubiquitous and unconditioned nature of the “inconceivable dharma,” and the importance of practice in allowing us to actualize and experience it.
Zen master Dogen wrote Bendowa in 1231 to introduce his Japanese students to Soto Zen. In a sense, then, it’s “Soto Zen in a nutshell.” In this episode I introduce the text and the context in which it was written, and talk about how and why Dogen recommends zazen – seated meditation – above all other Buddhist practices. I also talk about how Soto Zen elevates zazen far above a mere method for achieving awakening to enactment of enlightenment itself.
You don’t need to improve one iota, change anything about yourself, or obtain anything you don’t already have, in order to fulfill the Buddha Way and directly experience the ultimate goal of Zen. This is because the nature of awakening is wonderfully ironic. It’s not about gaining or experiencing anything you don’t already have. It’s about realizing the indescribable preciousness of exactly the way things are – exactly the way you are – right here and now.
In Soto Zen Buddhism, “Dharma Transmission” is a ritual in which a qualified Zen teacher acknowledges the ability of one of their students to carry on the lineage tradition of Zen. In this episode I give you a sense of the significance of Dharma Transmission in the history and development of Chan and Zen Buddhism, and the ongoing utility of the tradition in terms of teacher authorization.
In Soto Zen Buddhism, “Dharma Transmission” is a ritual in which a qualified Zen teacher acknowledges the ability of one of their students to carry on the lineage tradition of Zen. In this episode I introduce you to the practice, including a description of my own experience of it, the criteria for giving it, the great variability in how it’s viewed and used, and the sense in which it’s about two individuals mutually recognizing awakened mind in each other.
In this episode we finish up the Genjokoan, focusing first on the rather long passage comparing our path of practice to the way a fish swims in the water, or a bird flies in the sky. Then I’ll talk about the story at the end of the essay, where a monk asks a Zen master why he uses a fan when the nature of wind permeates everywhere, which is really a question about why we practice if reality ultimately lacks nothing.
In this 4th episode of 5 on Zen master Dogen’s Genjokoan (written in 1233), I discuss the image of the moon reflected in a dewdrop (ultimate reality reflected/realized by a limited person), and the metaphor of different experiences of the ocean (the nature of relative and absolute truths).
Buddhist practice can be seen as consisting of two sides, and both are essential. The first side is cultivating “samadhi power,” or our ability to perceive – or be awake to – the absolute aspect of reality. We do this through practices including meditation, mindfulness, and studying teachings such as impermanence and emptiness. The second side of our overall practice is working on “karma relationship,” or learning to live our daily lives in an enlightened way. We do this by working with our karma, keeping precepts, honoring relationships, and understanding how the absolute aspect of reality corresponds to the relative aspect. If we neglect either side, our practice can stagnate or go awry.
In part 3 of my series on the famous Zen text called “Genjokoan,” written in 1233 by Japanese Zen master Eihei Dogen, I discuss the sections about seeking the Dharma, riding in a boat (recognizing self-nature is impermanent), and firewood and ash (the Great Matter of Life-and-Death).
My second episode focused on the famous Zen text “Genjokoan,” written by Japanese Zen master Eihei Dogen in 1233. In this episode I cover “the moon reflected in water” section, and the “to study Buddhism is to study the self” section.
