The list of supposedly-highly-realized Buddhist teachers who have abused their power and acted in harmful ways – particularly in the realm of sex – is long, and getting longer all the time. Unethical and selfish behavior is incompatible with our Buddhist ideal of true enlightenment, and transgressing teachers are often exactly those held up as especially inspiring examples of realization and practice, so what does all of this say about realization and practice? Were the teachers ever really enlightened?
Nyoho practice is looking for opportunities to act in accord with the Dharma in the midst of our daily lives, in very practical, physical ways. We view no act as too mundane or insignificant to perform with care, and no object or being we encounter as beneath our respect or attention. In this episode I hope to convey the significance and beauty of Nyoho practice, and the wonderful opportunity it presents in terms of how we can incorporate it in into our everyday lives.
We have a practice in Zen of trying to make even our smallest actions reflect the deep truths of the Dharma, including interdependence, impermanence, no-self, suchness, and Buddha-nature. I’m going to call this practice “Nyoho,” a Japanese term which means doing something “in accord with” (nyo) the Dharma (ho): Treating each and every thing we encounter with respect and care, and performing even the most mundane actions in a considerate, gracious, but efficient manner.
The Ten Oxherding pictures are a Zen teaching, but many Buddhist practitioners are familiar with the experience of trying to motivate yourself to practice without the rewards of explicit, tangible goals or markers of progress. The oxherding pictures describe – rather than prescribe – stages of practice we go through over a lifetime. They can be inspiring and encouraging as long as you don’t try too hard to evaluate which stage you’re in, or strive to get to the next stage.
This my second episode on the Sandokai, an ancient teaching poem composed by Chinese Zen master Sekito Kisen (Shitou Xiqian, 700-790). It’s recited daily in Soto Zen temples throughout the world – one of only a handful of Zen or Buddhist scriptures similarly honored. In the first episode I read the whole poem, discussed the “big deal” about absolute and relative (why Zen talks about this topic so much), and started exploring the Sandokai line by line. In this episode I finish up that exploration.
Sandokai is an ancient teaching poem composed by Chinese Zen master Sekito Kisen (Shitou Xiqian, 700-790). It’s recited daily in Soto Zen temples throughout the world. In the next two episodes I’ll explore the meaning of the Sandokai, and why it’s given such a central place in Soto Zen. In this first episode I discuss the “big deal” about absolute and relative (why Zen talks about this topic so much), read you the poem, and then explore it line by line. I only get part way through, so I finish up the exploration in the next episode.
Samadhi power is about cultivating a direct, real-life experience of the nondual aspect of reality, while karma relationship is about taking care of our lives in order to reduce suffering and reflect the truth of the nondual in the midst of the relative. In this episode I focus on karma relationship – why it’s so important, what it involves, and the main Buddhist practices we do to work on our karma.
The goal of Buddhism, including Zen, is to awaken to what’s true, because the truth is liberating. And yet my tradition, Soto Zen, points us toward the “goal of goallessness,” telling us we’ll awaken if only we give up our desire for anything else (including achieving some “goal” called awakening). Our Soto Zen practice is just sitting, without making any effort to influence our meditative experience. In this episode I’ll [TK] explore how the “goal of goallessness” points to the fact that if we willfully try to awaken, we create duality and get in our own way. Fortunately, Zen offers us ways to awaken without trying.
I’ve been sitting zazen for over 20 years, but only recently have I had the guts to really do shikantaza, or “just sitting,” and it feels profoundly liberating. In this kind of zazen, you utterly let go of doing anything except just sitting there. Really. I discuss why beginners are usually taught to count or follow breaths instead of do shikantaza, and why I think this is unfortunate. I also discuss the surprising results of a practice in which you don’t try to control your experience in any way.
This episode is the second of two on the first part of “Bendowa,” Zen master Dogen’s “Soto Zen in a Nutshell.” I discuss two more important subjects in Bendowa: The ubiquitous and unconditioned nature of the “inconceivable dharma,” and the importance of practice in allowing us to actualize and experience it.